The painting is actually hung in a reasonably modern frame (not shown) which actually works well with it. In general, a frame seems to be able to complement a painting, or absolutely ruin it, even if you're not looking at it directly. I'm not too sure about the colour of the walls - that is, the extent to which they can influence the opinion one forms of the paintings hung on the wall. In the case of the Kröller Muller museum, this a vague kind of bleached purple (which gives a lot of noise in digital pictures when shooting at a boosted ISO value of 1600). The Groninger museum had quite brightly coloured walls in the exhibition I visited last time, this actually worked quite well too.
Sunday, October 09, 2005
A day at the Kröller part II
The painting is actually hung in a reasonably modern frame (not shown) which actually works well with it. In general, a frame seems to be able to complement a painting, or absolutely ruin it, even if you're not looking at it directly. I'm not too sure about the colour of the walls - that is, the extent to which they can influence the opinion one forms of the paintings hung on the wall. In the case of the Kröller Muller museum, this a vague kind of bleached purple (which gives a lot of noise in digital pictures when shooting at a boosted ISO value of 1600). The Groninger museum had quite brightly coloured walls in the exhibition I visited last time, this actually worked quite well too.
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Your pictures are beautiful - as are their paintings. I strongly admire both Toorop's (we will definitely visit De Beurs once it's open & I'm back again). But even more I love Edgar Fernhout: Charley's son. His neo-realist work you will find easily yourself, but he also made art like this: http://www.ivobouwman.nl/uk/i/kunstenaars/kunst.asp?id=144. And what about his son, Rik Fernhout?
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